Copies 1-100 are pressed on clear vinyl and stored in a 3mil HDPE inner sleeves. The jackets are 405gsm craft board case-wrapped with G.F. Smith Colorplan Ebony 135gsm. The inserts are printed on the same stock in silver metallic ink. Each piece is packaged in a 1.5mil resealable plastic sleeve.
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Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
The trio of Kieran Adams (sampler, drum machine, drums), Matthew “Doc” Dunn (keyboards and electronics), and Andy Haas (reeds and electronics) is a subset of Toronto spiritual jazz practitioners The Cosmic Range. Where their parent-group tends to anchor itself with a firm pulse, the trio veers into various flavours of abstraction. Some pieces furnish nervy ambient waft, whereas others are more gestural—sometimes violently so. Meanwhile, on the title track, a synth bass ostinato lays a stubborn foundation for blistering hot-wired sax and undulating synthetic textures. In addition to leading the Cosmic Range, the multifaceted Matthew Dunn has made a handful of mellow folk records under his own name, contributed to the long-running Sub Pop Singles Club, and played with everyone from US Girls to MV + EE. Reed player Andy Haas was once a member of crucial Toronto new wave outfit Martha and the Muffins and went on to collaborate with NYC Downtown notables such as Mark Ribot, Zeena Parkins, John Zorn and Ikue Mori. His signature shawm-like tone on the soprano sax is one of the primary elements driving Future Moons' white hot interstellar intensity. Kieran Adams was a member of buoyant synth-pop group DIANA, and has variously been heard alongside Bonjay, the Weather Station, and Joseph Shabason. He makes electronic music under the pseudonym Vibrant Matter, which made its debut last year with an EP for Halocline Trance.
credits
released March 24, 2022
Kieran Adams: sampler, drum machine and drums. Matthew Dunn: keyboards, electronics and photography. Andy Haas: saxophone, fife, hojok and live electronics. Recorded, mixed and mastered by Jeff McMurrich at Sonology.
a work of genius.
love the space between jb's horn playing and the digital. they lead you down different paths to the same destination. head, heart & feet on different tips but syncopated beautifully.
vol.2 please, and more. CitizensofSound
Angel,
I heard your interview with Jason Woodbury on Aquarium Drunkard's "Transmissions" podcast today. It was truly remarkable and touched my heart. I bought this album immediately afterward and am so grateful to you for this nourishing music in these strange, trying days. I hope I can time my next trip to Chicago to be able to see you perform live. Thank you! Michael Feltes
Inspired by the rhythm & timbre of bellringing, “Pendulums” folds neo-classical, jazz, & even ambient music into a wondrous whole. Bandcamp New & Notable Jun 12, 2021